Tagged: Pharoahe Monch

Hip Hop Lyricists, eMCees and Rhymers

The key elements of true lyricism are – in no particular order – flow, content, creativity, consistency, staying on message.

Thus, these are the most outstanding hip hop eMCees over the past 20 years. . Peep:

 undre(image courtesy of  Deviant Art)

Andre3000 check 13th Story/Growing Old from ATLiens, or The Art of Storytelling 4 for his best work, though factually and subjectively The Greatest eMCee of All Time. I challenge you to find one lazy rhyme, line or vocal. The thing with Andre? He’s evolved from Southernplayalistic to ATLien to the amazing work of art Aquemini through Stankonia, The Love Below and yes, Idlewild. Growth akin to say a Radiohead in rock & roll; he’s not what he was, but he’s more him than ever. Amazing growth, maturity, intelligence, wisdom, talent, skill & execution.

https://i1.wp.com/media02.hongkiat.com/typography-portraits/mos_def_lyric_portrait_by_DilsJ.jpg (image courtesy of  DilsJ)

Mos Def from Blackstar to Black on Both Sides, Mos was consistently the most heart-felt, artful eMCee in the land. Evocative, emotional, intelligent & mature; a rare combination in hip hop. Fell off slightly during The New Danger/Black Jack Johnson phases, but returned with an authoritative revitalization with Ecstatic.

https://yallkiltit.files.wordpress.com/2011/03/pharoahe_monch_the_thirteen_mix_top_5_dead_or_ali-front-large.jpg?w=300 (image courtesty of  threesixphive)

Pharoahe Monch who? why? isn’t that the screachy guy that yells? Indeed. Since the days of Organized Konfusion, Pharoahe has pushed the envelope of singing/preaching in the context of his complex, layered sonnets. Tracks such as Agent Orange & The Healer showcase his relevant, political leanings, and his intelligence and awareness of The Modern World is second-to-none in hip hop. Remains underappreciated, and just like Mos & Andre, does not waste a verse.

Jay-Z/Eminem/Nas each has received enough accolades, album sales & kudos to last seventeen lifetimes (see below lists). Each deserves the credit, and though the trio probably has enough content/stories/rhyme scheme creativity, longevity to speak for themselves, I tie a common fault with each in that there are ALWAYS one-to-in-the-case-of-Nas-five tracks per album that are just lazy, cliche & there to check a box. While Nas’ first album, Illmatic, remains an artistic and lyrical icon, his steady downfall (laziness) has relegated him to the second ‘tier’ of true lyrical stardom.

Other notables include Notorious B.I.G./Tupac (though both were extremely reliant on image and thusly coasted on too many tracks, specifically on their respective double albums); Rakim (basically invented the ‘modern’ flow, though in the prism of retrospect, content lacks); Guru from GangStarr (maturity, content, voice, but ‘the king of monotone’ really did get old); Common (post-Like Water for Chocolate, though, guy really adopted the Neo-Soul thing and just split); Phonte (from Little Brother – completely underappreciated and essentially put 9th Wonder on the map, but peep ‘Last Day’); J-Live (raw deal from the days of raw shack, Longevity was amazing and has consistently released crate digging albums for lyricists to enjoy for 15 years); One Be Lo/One Man Army (formerly of Binary Star, one listen to his verse on KGB or ‘I Know why the caged bird sings’ and you’ll understand); Method Man (consistently impressive despite the pothead facade; in particular, his rhyme scheme evolves with each album, even after all these millions); Big Pun (negative points for content, but an amazing flow. Amazing).

Hip Hop Renaissance III: A-Side/B-Side

Following in the footsteps of Hip Hop Renaissance and Renaissance II, YKI Records has just released Hip Hop Renaissance III: A-Side/B-Side, featuring more of the late-90’s through 2004 sound, or the third Golden Age of Hip Hop. Jean Grae, Phonte, Murs and 9th continue to define the sound,  as the ‘Jay Dilla’ era/influence is definitely in full effect. Check out the new joints from Jay Electronica & Black Milk for a newer, credible sound.  Enjoy, and hit me for a copy.

Ridiculous – DJ JS-1 ft. OC & Pharoahe Monch, Common
Barbershop – Murs & 9th Wonder ft. Rapper Big PoohNo Fear – Cool Cee Brown ft. Phonte & Asheru
Preservation – Aesop Rock, Del tha Funkee
Exhibit A – Jay Electronica
No Fear – Cool Cee Brown ft. Phonte & Asheru
The Matrix – Black Milk ft. Pharoahe Monch, Sean Price, DJ Premier
Biochemical Equation – MF Doom, RZA
Guns Are Drawn – The Roots
Next Day – Phonte
Speakin’ – El da Sensai
Air Wars – Crystal Castles
The Time Is Now – Jean Grae & 9th Wonder ft. Phonte
Nostalgia – Masta Ace ft. Marco Polo
Let it Go – The Herbaliser ft. What What (Jean Grae)
Dilla Forever – Scienz of Life
Exhibit C – Jay Electronica
Three Slims Dynamite – Digable Planets (unreleased)

Hip Hop Renaissance

A little break from sports to remind people what real hip hop really is. . .and in light of these bodaciously bogus ‘Songs of the Decade‘ lists – which should be renamed ‘commercial tracks of the decade’ – here is the Track Listing for my Hip Hop Renaissance compilation:
Waitin’ On You – Kenn Star
Trouble Man – Juggaknots
Clear Blue Skies – Juggaknots
Surving the Times – Nas
Hope –
Pete Philly & Perquisite f/ Talib Kweli
The Web – The Roots
We Can’t hear You – The Herd
Brooklyn In My Mind – 9th Wonder f/ Mos Def, Jean Grae, Memphis Bleek
The Healer – Erykah Badu f/ Pharoahe Monch
Brand New – MF Grimm f/ Monsta Island Czars
‘Maica Living – Large Professor f/ Killa Sha & Guardian Leep
Can’t Let Her – Little Brother
Madness In a Cup – Mr. Lif
Dear Zev (Never Give Up) – Scienz of Life
Smile – Juggaknotz f/ Castro
Still Love – Soulstice
Realistically the compilation spans from 1997 – 2009, but since real hip hop (nee, Underground) is never understood nor fairly represented, take a moment to peep said tracks – or email me for a compilation, I’ll send – and you’ll figure out what real eMCees and producers are doing these days.